Screenwriting & Story Development

InstructorTabassum JahanScreenwriter & Story Development Professional

About This Course

Learn the fundamentals of screenwriting and story development through a practical, hands-on course designed for aspiring writers, filmmakers, and storytellers. From understanding screenplay formatting and developing strong story concepts to applying established storytelling structures, character development, emotional elements, and professional writing tools, this 10-week course takes students through the complete process of developing an idea into a workable screenplay.

Students will study established storytelling models such as the Three-Act Structure, Hero’s Journey, Dan Harmon’s Story Circle, Chekhov’s Gun, Rule of Three, and other practical storytelling tools. Through weekly exercises, discussions, examples from popular films and series, and continuous development of their own stories, students will build the skills needed to write engaging and production-ready screenplays.

By the end of the course, students will develop a semi-complete 8-15 page screenplay that can be further developed into a larger project. Students can also write for the children’s series Adventures in Mayapur and get a chance to join the writing room.

Modules Covered:

  1. Screenwriting vs. Creative Writing
  2. Screenplay Formatting & Writing Tools
  3. Story Concept & Logline Development
  4. Three-Act Structure
  5. Hero’s Journey
  6. Dan Harmon’s Story Circle
  7. Beat Sheet & Treatment
  8. Sensory Elements & Emotional Storytelling
  9. Chekhov’s Gun & Rule of Three
  10. Character, Conflict & Catharsis
  11. Story Pacing & Reality
  12. Final Screenplay Development

Instructor

Tabassum Jahan

Tabassum Jahan

Screenwriter & Story Development Professional

Tabassum Jahan is a screenwriter with over five years of experience crafting narratives for audiences as varied as grassroots communities, development professionals, donors, and children’s TV shows. Her work includes the animated children’s series Adventures in Mayapur as a staff writer, and humanitarian scripts for UNDP.

She is also an expert trainer of story crafting techniques, and has taken multiple training sessions of root-level beneficiaries for iNGOs. It is important to look beyond simply telling a story, to understand what makes an audience care, connect, and respond. She brings this audience-focused approach to her screenwriting practice, with particular interest in story structure, character, emotion, and the craft of turning an idea into a compelling narrative. She is currently a writer for Adventures in Mayapur, creating stories for young audiences.

Curriculum

10 Classes

10 weeks · Saturday, 10:00 AM - 12:00 PM (Online)

Class 1: Screenwriting vs. Creative WritingUnderstand how screenwriting differs from traditional creative writing and learn the fundamental language, structure, formatting, and tools used in a screenplay.
  • Difference between creative writing and screenwriting
  • Understanding the objective of a screenplay
  • Identifying target audience and purpose
  • Commercial, marketing, and social considerations
  • Screenwriting tone and writing style
  • Scene headings, formatting, action and character descriptions
  • Stage directions and special screenplay notations
  • Introduction to screenplay writing software
  • Practice: Convert a well-known story section into a 1-2 page screenplay
Class 2: Developing a Story Part ILearn the basic structures that make stories coherent, engaging, and easy to follow.
  • Understanding story structure
  • Three-Act Structure: setup, confrontation, and resolution
  • Hero’s Journey and major story stages
  • Identifying turning points in popular films
  • Steps of developing a story
  • Concept development and writing a strong logline
  • Practice: Identify structure in selected films and develop an original logline
Class 3: Developing a Story Part IIExplore alternative storytelling structures and learn how to use them to develop a stronger narrative.
  • Dan Harmon’s Story Circle
  • Understanding the eight stages of the Story Circle
  • Asking the right story-development questions
  • Comparing different storytelling structures
  • Applying structure to original ideas
  • Practice: Break down a familiar film using the Story Circle
Class 4: The Architecture of a StoryLearn how to transform a basic concept and logline into a structured, workable story.
  • From concept to story
  • Developing a strong logline
  • Beat sheet and understanding story beats
  • Treatment writing
  • Planning story progression and timing major story events
  • Using established structures to plan a screenplay
  • Practice: Develop concept + logline + beat sheet + treatment
Class 5: Making a Story Humane Part ILearn how sensory details can make a screenplay more tangible, immersive, and believable.
  • Using sensory elements in storytelling
  • Sight and visual details
  • Touch and physical experience
  • Creating atmosphere through sensory elements
  • Connecting sensory details with character and environment
  • Practice: Apply sensory elements to two scenes from your developing story
Class 6: Making a Story Humane Part IILearn how emotional elements can make stories more engaging, relatable, and memorable.
  • Understanding emotional engagement
  • Using humor effectively
  • Mystery and curiosity as storytelling tools
  • Balancing different emotional elements
  • Strengthening the treatment through emotional storytelling
  • Practice: Apply at least two emotional elements to your story
Class 7: How to Make Your Audience Not Hate You! Part ILearn how strategic storytelling tools can create anticipation, curiosity, and satisfying payoffs.
  • Introduction to Chekhov’s Gun
  • Planting and payoff - creating meaningful details
  • Setting up information for later use
  • Avoiding unnecessary story elements
  • Creating audience expectations
  • Examples from films and series
  • Practice: Apply Chekhov’s Gun to one element of your developing story
Class 8: How to Make Your Audience Not Hate You! Part IIUnderstand how repetition and patterns can strengthen storytelling and create satisfying narrative moments.
  • Rule of Three and understanding repetition in storytelling
  • Creating memorable patterns
  • Using repetition for humor and emotional impact
  • Establishing and breaking expectations effectively
  • Examples from popular films and television
  • Practice: Apply the Rule of Three to one scene in your story
Class 9: Playing with the Realm of RealityLearn how character, conflict, and emotional resolution work together to create believable and meaningful stories.
  • Creating believable stories
  • Character development and motivation
  • Internal and external conflict
  • Character choices and consequences
  • Catharsis and creating emotional resolution
  • Building layers into a story - making characters and situations feel real
  • Practice: Apply character, conflict, and catharsis to your screenplay
Class 10: Do You Love Your Creation Now?Review, refine, and strengthen the students’ screenplays while identifying opportunities to improve structure, pacing, character, and audience engagement.
  • Review of the complete course
  • In-depth discussion of students’ stories
  • Identifying the story hook and strengthening the opening
  • Improving character motivation
  • Improving pacing and strengthening emotional moments
  • Final screenplay review and presentation
  • Final output: A workable 8-15 page semi-complete screenplay
Students and artists making puppets together inside the studio

Why Choose Ogopogo?

We provide comprehensive animation education with industry-leading instructors and cutting-edge techniques used in major studios worldwide.

  • Certificate of completion for all courses
  • Industry-standard software and techniques
  • Build a professional animation portfolio
  • Lifetime access to course materials and updates
  • Active community and networking opportunities
  • Career support and studio connections

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